Ed. note- SCREAM wasn’t the first horror film to be self-referential about the genre. FADE TO BLACK was also a commentary on Hollywood’s effect on both the genre and we who[…]
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Ed. note- SCREAM wasn’t the first horror film to be self-referential about the genre. FADE TO BLACK was also a commentary on Hollywood’s effect on both the genre and we who[…]
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Ed. note- Vampires have been among the most popular monsters in horror literature and film. So of course I tackled them at my last gig. BLOOD OF DRACULA isn’t great, but[…]
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Ed. note- Now that the Christmas shopping season has set in and that blackest day of the year has passed, what better way to celebrate the horrors Black Friday than with Mario[…]
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Ed. note- I didn’t have to revise this one much for Opening the Vaults. Too bad RKO didn’t revise this mishmash of ideas more extensively.- P.F. In 1931, Bela Lugosi[…]
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The Wampum Mines as trolled by Phil Fasso I had an opportunity to visit the Wampum mines once. A local filmmaker Scott Goldberg was doing some[…]
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Ed. note- I bought the download of I AM NANCY and watched it the Sunday night I interviewed Heather Langenkamp. I watched it again for the second time tonight, right[…]
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The Tour Through Hell takes us to the house pet corner of the inferno with two reviews of demonic dog flicks. The first is ZOLTAN: HOUND OF DRACULA, in which a[…]
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As the first part of the Deborah Foreman Double Shot, Phil looks at WAXWORK, an In Its Own Universe flick that takes 40s era screwball comedy and graphic horror and never[…]
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